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Soul Grand Prix initiated a new phase in Rio de Janeiro funk culture in 1975, a phase which celebrated () and Black culture. Soul Grand Prix echoed the sounds of James Brown, Kool and the Gang and Wilson Pickett. In order to have large dances, ''Soul Grand Prix'' would put together huge sound systems, sometimes using over a hundred speakers and generating crowds of over ten thousand of Brazil's youth. Soul Grand Prix dances used mixed media, films, photos, and posters to inculcate the "Black is beautiful" style period.〔Yudice, George. "The Funkication of Rio". In Microphone Fiends, 193-220. London Routledge, 1994.〕 This period influenced the funkeiro culture in () who still today host huge parties to dance to today's funk and sample music from the past to create new modernized music.〔Ambassador. Brazilian sound clash: Soul Grand Prix vs Soul Layzer. http://soulspectrum.blogspot.com/2007/11/brazilian-sound-clash-soul-layzer-vs.html〕 ==Sources== 〔1〕 Yudice, George. "The Funkication of Rio". In Microphone Fiends, 193-220. London Routledge, 1994. 〔2〕 Ambassador. Brazilian sound clash: Soul Grand Prix vs Soul Layzer. http://soulspectrum.blogspot.com/2007/11/brazilian-sound-clash-soul-layzer-vs.html 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Soul Grand Prix」の詳細全文を読む スポンサード リンク
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